And here is a closer view of the work..
...the mosaics on the facade of San Marco...
...the tracery on the Doge's Palace...
...I was particularly intrigued by how Streeton rendered the black and red military dress of the soldiers...
...and the exquisite and hats frocks worn by the women...
I didn't want to walk away from this painting.
Sir Arthur Streeton (1867 -1943) is one of Australia's best known and best loved artists.
An Impressionist painter, Streeton and his bride Nora Clench visited Venice on their honeymoon in late April 1908, and they returned again in September/ October of that year.
(Note that 1908 is also the year in which an elderly Claude Monet arrived in Venice for the first time).
Streeton and Nora stayed at the Palazzo di Biasi on the Zattere. He wrote that ‘three old Italian sisters kept the place, most dear old ladies and as kind as any relatives could be and much more so than most – and I worked hard and did some good pieces!...What a wonderful place it is…”
Streeton’s stay in Venice was productive: after painting and sketching en plein air in Venice, he undertook further work back at his London studio, eventually creating up to 80 paintings. Streeton depicted typical Venetian scenes: Piazza di San Marco, the Basilica, the Bridge of Sighs, the Rialto Bridge and the Grand Canal.
In a letter dated 8 October 1908 to his patron Professor Baldwin Spencer, Streeton wrote:
“I have worked two afternoons lately in the centre of the Piazzo San Marco - & got in good one 40.24 – It took some nerve too – it’s in heart of the city & always full of people – so while Mrs S. sat some yards off on a seat at the ‘Florian café’ reading ‘Great Expectations’ I sat surrounded by a great mob of about 40. It was extremely hot with so much humanity like a wall round me a wall of 4 feet thick & all 98 temperature made me perspire – I’ve seen no one else tackle it here – But I pulled it off.Also I’ve painted one 66 X 36 from the top floor of Palazzo Foscari – commanding a fine view of the ‘Grand Canal’.
I’ve done several others also, & shall work on these as soon as I get back to the Studio and shall pick out a few to send to Melbourne for a trial.
…Miss Clara Mustalba lives in the Zattere and was kind enough to get me permission to paint from ‘Foscari’ – she is a good artist and has done splendid things of Venice".Streeton included a sketch of San Marco in this letter, and beside the sketch, he wrote ‘all gold and yellow & blue’.
In April 1909, Streeton exhibited some of his 'Venice' works at the Alpine Club in Savile Row, London.
A large number of the 'Venice' works were also shown in Melbourne in 1909 at an exhibition titled 'Arthur Streeton's Venice'. The art critic for the Observer praised the way in which
‘Mr Streeton has caught the opalescence and glitter of the Venetian canals and marble palaces in moments of bright sunshine as few artists have done before him… What is more the Australian painter has not confined himself to a mere architectural record, but makes us feel that Venice has retained in our days a certain something of the spirit which in the eighteenth century made it the pleasure ground of Europe'.
I'm now on a mission to experience Streeton's other Venice works which are in public collections such as the Art Gallery of NSW (Sydney), the National Gallery of Victoria (Melbourne), Carrick Hill (Adelaide) and the University of Melbourne.
I'll keep you posted!
And in the meantime...can anyone please tell me more about 'Palazzo di Biasi' on the Zattere, where Streeton lodged during his stay in Venice?